LES LIAISONS DANGEREUSES ROMAN FÉMINISTE DISSERTATION
In order to sum up the fundamental differences we face in the 18 th century, I would like to refer to a statement by Gita May, who has outlined its major contradictions as follows: Jealous, Merteuil tricks him into deserting Madame de Tourvel—and reneges on her promise of spending the night with him. Wikimedia Commons has media related to Les Liaisons Dangereuses. First, some words about the artist: As Laufer has pointed out in the statement above, the Age of Enlightenment is subject to the clash of many diverse Weltanschauungen. In other words, we have to differentiate between the light poetry of the salons and the more profound works of the period. Considering the elements and characteristics used in literary works of the Age of Enlightenment and comparing them to the visual compositions of artists in the period, one can definitely notice a similar approach.
People claimed to miss the formal and solemn aesthetic approach to the arts from the past, which they believed to be a more reasonable concept since it was not bound to time, changes, or innovation of any kind. In fact, there are basic similarities concerning Rococo art and Rococo literature, as well as concerning the social life of the period that primarily centered around les salons: National Gallery of Art. This issue also involves a reevaluation of the notion of perfectionism brought into context by this work. Now, however, I would like to clarify that it is not actually the notion of detail that was stressed in the period. Merteuil promises Valmont that if he seduces Madame de Tourvel and provides her with written proof of seduction, she will spend the night with him.
When we look closer, we see the incessant attempt of Rococo writers and philosophers to portray and express more than just the surface of things. The women writers of the 18 th century give us an even more accurate insight concerning the difficulties of their gender, even if they were fighting yet another battle: It took some time until this new, softer style started to expand its influence and made its way to Italy and the rest of Europe, eventually displacing the Baroque style.
Analyse du Deuxième Sexe (Simone De Beauvoir)
This scene creates a distant, theatrical, and even erotic atmosphere, just like a painting by Fragonard or the other Rococo painters. Moreover, the influence of their chosen victim on their partnership develops in an unexpected way, which results in the formation of a triangular plot. This representation of the condition of womanhood refers to the necessity to lie on a regular basis, to play a certain role and to wear a masque in society.
As Laufer has pointed out in the statement above, the Age of Enlightenment is subject to the clash of many diverse Weltanschauungen. This page was last edited on disssrtation Aprilat I am well aware of the fact that there are multiple interpretations of Les Liaisons Dangereuses in general, as well as of this particular issue, depending on the subjectivity of the protagonists.
Since a significant part of my discourse focuses dissfrtation the establishment, proof and discussion of a theoretical statement pointing out the similarities between Rococo writing style and Rococo painting style, I would like to first outline the literary aspects of the period and later on compare them to its artistic elements.
Reading about Women in Novels: The concept of libertinage and their social status are among the factors that bring them together and cause them to choose a bourgeoise as their victim. What is the Rococo?
Please help improve this article by adding citations to reliable sources. They all observed from toman points of view the spontaneous compositions of the Rococo style although they partly sympathized with its ideas.
Thody, P Les Liaisons Dangereuses. One of these influences was the Rococo. Retrieved 14 November The euphoria of the artists resulting from their newly obtained freedom of expression is reflected in their work. Jealous, Merteuil tricks him into deserting Madame de Tourvel—and reneges on her promise of spending the night with him.
THESIS – Tanja Nicole Kyriazakis BS MA
However, she admits that she was not born as such. Instead, I would like to concentrate on dissertarion more specific, individual, and concrete interpretation of the Rococo painting style.
How could one describe the 18 th century in France? The beginning of the development of the Rococo style in France can be placed in the early 18 th century, approximately in the year She is a pathetic victim of her own principles.
Oxford and New York, This section needs additional citations for verification. In other words, we have to differentiate between the light poetry of the salons and the more profound works of the period.
Illustration from edition. In other words, we become aware of their endeavor to make a more profound approach to life, starting from the smallest entities, human individuals; expanding to include larger ones, like society or a country; or even striving for the disesrtation ones, like religious concepts or the entire world.
The artists creating and reflecting the Rococo style communicate to us in a fairly indirect, subtle, and sometimes almost secret way.
Les Liaisons dangereuses – Wikipedia
When the Rococo style first emerged, it was primarily limited to the field of interior decoration and design. In order to understand the Age of Enlightenment, I find it absolutely imperative to refer to the great philosophers of the period, Voltaire, Rousseau, and Diderot. However, the reason why it is not perfect might actually be its overemphasis on perfection. To establish a true appreciation of Rococo literature, we have to understand the crucial and radical separation between philosophical concepts and social entertainment.